As a maker of objects, I have navigated the waters of sentiment and studied the point when an object becomes a beloved object. This often involves a transaction: a gift, a purchase, the exchange of wedding vows. It involves time. The years spent wearing (or living with) the piece – getting to know it a little more each day. In the case of a wedding ring, it requires understanding its relationship to your body, the weather, the environment, the work one does, one’s age. The Mexican essayist, poet, and diplomat Octavio Paz, in one of my favorite essays, said, “The handmade object does not charm us simply because of its usefulness. It lives in complicity with our senses, and that is why it is so hard to get rid of – it is like throwing a friend out of the house”. I am humbled that some of the objects I have made live daily with friends and strangers alike. Over the last five years of making jewelry, I’ve returned to this idea of making the quiet things that are worn daily, that are impossible to part with. What would make your list?
Conversations in the Middle - Metalsmith Magazine article
I’ve written an article that appears in the new issue of Metalsmith Magazine available digitally or in print. The piece asks the question, How to begin again?, in the studio and beyond. I hope you’ll read the stories about the three artists I profile in the piece.
Friendly Tides Exhibition at Marin Civic Center
Friendly Tides at Marin Civic Center
Feb 6th - May 18th
Reception: Thursday, March 16th, 5:00-7:00pm
Friendly Tides showcases the work of artists from Marinship Studios, a studio complex in the Marinship neighborhood of Sausalito, California. Located on a site that has been a beacon of creativity for artists, philosophers, writers, and poets since the 1950’s, it has been a workplace and residence for the likes of Maya Angelou, Gordon Onslow Ford, Allen Ginsberg, Jean Varda and Ruth Asawa among others. Marinship Studios was founded in an effort to continue this creative history and support the arts in the Bay Area.
The neighborhood of Marinship began as a shipyard during WWII before blossoming into a creative enclave defined by houseboats, marine businesses and the ebbs and flows of the bay. The title of the show - Friendly Tides - is a nod to the neighborhood’s inextricable link to the tides of the bay and how everyone in the community is impacted by them for both good and ill. All on the waterfront are subject to the pull of the tides, especially when the seasonal king tides threaten to breach our doorways. Many buildings flood during these times, recently including the studios of some of the artists presented here..
In addition to Sausalito's very tangible shores, Friendly Tides also refers to the tidal force of artists in the Bay Area. Unlike many art scenes, it is common here for artists to include the work of their friends and peers in their exhibitions out of an instinct for making space for others and sharing conversations with one another. In this spirit the exhibition includes a group of works by artists from Sausalito and the greater Bay Area who are friends of Marinship Studios. We watch the waterfront to live with the movement of the bay, but we are the friendly tide.
Marinship Studios Artists
Mary Button Durell
Daniel Melo Morales
Bay Area Artists
Lynn Marie Kirby
Poems, for Now
River Heron Review published my poem, After the Fires, a Wild and Reckless Flowering in its most recent open access issue. You can read it here