As a maker of objects, I have navigated the waters of sentiment and studied the point when an object becomes a beloved object. This often involves a transaction: a gift, a purchase, the exchange of wedding vows. It involves time. The years spent wearing (or living with) the piece – getting to know it a little more each day. In the case of a wedding ring, it requires understanding its relationship to your body, the weather, the environment, the work one does, one’s age. The Mexican essayist, poet, and diplomat Octavio Paz, in one of my favorite essays, said, “The handmade object does not charm us simply because of its usefulness. It lives in complicity with our senses, and that is why it is so hard to get rid of – it is like throwing a friend out of the house”. I am humbled that some of the objects I have made live daily with friends and strangers alike. Over the last five years of making jewelry, I’ve returned to this idea of making the quiet things that are worn daily, that are impossible to part with. What would make your list?
These Links May Fail: Thoughts on Chain Making
Start by pouring an ingot of pure silver. Coat the iron ingot mold with soot from the torch, a fuel-rich flame with little oxygen. Preheat the mold so that the metal is not shocked when it enters, like you preheat the pizza stone before it meets the dough. Metal and dough are more similar than you might think. Melt the silver in a crucible…as in, that place where everything goes to be recast, reconfigured, reborn.
A New Writing Home Substack
I'm writing on Substack now. If you're here for the words, follow along there. I will keep the Blog portion of my website to keep everyone informed about art happenings and newsletter essays.
California Love Song at Shibumi Gallery
CALIFORNIA LOVE SONG
Maya Kini + Laura Lienhard
May 4th - May 29th, 2024
MEET THE ARTISTS
JOIN US FOR A GLASS OF WINE!
SATURDAY, MAY 11TH FROM 3:30 - 5:30 PM
SHIBUMI is pleased to present CALIFORNIA LOVE SONG featuring artists Maya Kini and Laura Lienhard. The artists have shared a studio on the Sausalito Waterfront since August 2020.
Abalone from agate beach, a sea urchin cast in silver, rough gemstones set in luminous gold, and antique coral linked with alloys of copper, gold and silver.
The textures of a February walk in Tennessee Valley as shadows grow long and the first buds appear on willows, navigating around puddles on a muddy trail until the beach opens up ahead and reveals a treasure trove of iridescent mussel shells, or sand dollars, or a bloom of jelly fish glinting like diamonds on the sand.
The acid green of eucalyptus leaves, the fiery brown of a madrone’s curling bark, the reflective surface of the Bay as the sun sets, and, always, the ocean lapping at the edge of California.”